Swan Ball 2025: A Bold New Era Blooms in Warner Parks
- Janet Kurtz | Photographs by Eric England, Hamilton Matthew Masters, Peyton Hoge, Alan Pozier
Each spring throughout the Warner Parks, as the snow melts and the frozen ground thaws, the whisper of renewal rises. Tender saplings and verdant flora push through the frost and stretch toward the sun. This year, Edwin Warner Park hosted a different kind of rebirth — the reimagining of the annual Swan Ball — a symbol of the city’s social landscape.
In 1963, prolific philanthropist Jane Dudley launched a fundraiser to support the then-struggling art institution Cheekwood. That year, the Swan Ball was born. On June 18, 1963, The Tennessean reported that the ball raised $26,000 — approximately $271,000 today — for the art museum and gardens, solidifying its place as a cornerstone event on Nashville’s social calendar. Each spring after, Nashville’s most elegant donned their finest white-tie attire and gathered on the Swan Lawn of Cheekwood Estate & Gardens. Throughout the decades, teams of co-chairs — assisted by armies of volunteers — worked tirelessly to create not only a special evening, but a brand built on philanthropy and community support.
Then in 2024, a new story began — as so many things do in Nashville — with a bold decision made in a great pair of shoes. Swan Ball 2025 would be a departure in every sense — off the Swan Lawn, out of the box and into the wild. The event had entered a new era. For the first time in its history, the Swan Ball moved to Edwin Warner Park and benefited Friends of Warner Parks, a nonprofit that raises crucial funds for the city’s beloved greenspace.
This dauntless and risky move was co-chaired by Melanie Baker and Laura Niewold, who led the transformation, working diligently with event planner Dori Thornton of The Social Office to set a new course and cement the event’s place in Nashville’s social legacy. Dance Committee chairs Sterling Akers and Catherine Bradbury did a masterful job coordinating a team of volunteers to escort ladies and open doors between the cocktail and dinner tents. Late Party chairs Emily Mitchell and Carly Simington ensured an energetic and flawless transition between the ball and the Late Party.
As guests arrived at Harpeth Meadows in Edwin Warner Park, the Swan Ball emitted palpable new energy. The night smelled like honeysuckle — not roses, though there were plenty. And the sound of laughter permeated and refreshed the atmosphere, intensified by a chorus of cicadas and crickets chattering in the night. Revelers marveled at a striking steel-and-glass structure, accented with fuchsia bougainvillea, that marked the entrance to the cocktail reception. Guests enjoyed hors d’oeuvres by Kristen Winston Catering, Champagne and cocktails as they mingled beneath the golden light of sunset. Many paused to admire the décor before heading into the dinner tent, where more delights awaited.
In the dining room, floral displays by Knestrick by Design topped long tables. In the center of the room stood a giant blossoming tree whose canopy spread over diners seated below, creating an enchanting environment. The excitement in the room was hard to contain — a hallmark of all the Swan Ball events this year — and reached fever pitch before the first award was given or the first note of live music played.
Swan Ball board co-chairs Elizabeth Nichols and Kathryn Brown took the stage to thank everyone for their support. They acknowledged 2025 had been a year of transformation that would carry the Swan Ball’s legacy into the future. They also noted the important work of beneficiary Friends of Warner Parks. “As Nashville continues to grow and change, the parks remain a treasured sanctuary for our neighborhoods and for the broader community,” Kathryn said. “Preserving them is more important now than ever — a gift not just for our children, but for generations to come.” To honor that sentiment, in lieu of traditional favors, the co-chairs planted a willow oak tree for all guests of the park to enjoy.
They also honored philanthropist and jewelry designer Brooke Garber Neidich with this year’s Swan Award, which recognizes someone who contributes greatly to humanity through service. Brooke owns the luxury jewelry brand Sidney Garber and donates her annual profits — totaling over six figures — to philanthropic causes.
Then, it was time for the entertainment. Each year, the Swan Ball showcases some of the era’s most notable performers to bring even more caché to the event, and 2025 was no different. At 81, Grammy-winning icon Patti LaBelle didn’t just take the stage — she lit it up. Her voice, still thrilling, turned the tent into a full-blown celebration. With each familiar chorus, the crowd sang louder and swayed harder. More than one guest jovially kicked off their designer shoes and danced barefoot. And by the time Late Party band Blue Rhythm took over, it was clear — the Swan Ball had not lost its soul. It had simply found a new place to take root and bloom.
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Janet Kurtz
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